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Roughly this time in 2009, the cover of the New Yorker was done with the $4.99 iPhone app Brushes. The artist said one of the joys of drawing on the iPhone is that he didn’t have a single interruption during the hour he stood outside Madame Tussaud’s on 42nd Street.
Don’t we wish we knew his Draw Something username!
(Source: newyorker.com)
Pretty!
alberto seveso
photographs of ink drops in water by Alberto Seveso. available as a set of desktop wallpapers. Download them all on Behance.
via: twoandtwenty
dabball – part iPhone/iPad game for art lovers, part mobile platform for discovering and buying original work by emerging artists
This is definitely one of the cooler iPad apps we’ve seen, especially from a musician/artist.
Bjork’s Biophilia iPad app and its first in-app release, Crystalline, are STUNNING. Seriously, words cannot really do it justice. You play a game where you collect crystals in certain sequences to unlock different arrangements and elements of the song, which you can then arrange in real-time while playing the game by choosing different tunnel. I’m addicted, and Bjork is giving me something I’m willing to spend money on.
Gorgeous.
You can catch an introduction to the app by none other than David Attenborough on ImageOscillite and while you’re there, watch the new video for Crystalline by Michel Gondry.
Nike + Mondrian
Designer: Don Lee
Website: http://www.nomadbrush.com
For all graphic designers/painters/fine artists/digital media specialists we are nearing the age of where all of these mediums overlap. Here is a perfect example of how the art world and the digital world are coming together with pieces of technology such as this brush.
The brush is a stylus with an actual brush on the end to allow artists to make lifelike brush strokes in painting apps. It is created with capacitive fibers making the tip actually feel just like an actual painting brush. Available now at Nomad Brush for $24 USD. Video after the jump!
Satellite Art: One Woman Tries to Create Google Earth Murals
Molly Dilworth thought having images of her rooftop paintings on Google Earth would get people talking about art. “I was a little frustrated with the hermetically sealed universe of painting,” she explained. ”Of course people care about it, but its not like music or movies; people have a favorite song, but not a favorite painting.”
She imagined people would stumble across her work while cruising Google Earth. She hoped that using the search giant’s satellites to move her murals into a digital space would push art into a larger conversation. She was wrong.
See more at The Atlantic
(Source: The Atlantic)
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